Sexuality Social and Cultural Constructs of Women Represented Through Art

(L–R): Artists Amy Sherald, Yayoi Kusama and Georgia O'Keefe. Photo Courtesy: Amy Davis/Baltimore Dominicus/Tribune News Service/Getty Images; Toshifumi Kitamura/AFP/Getty Images; Tony Vaccaro/Getty Images

If you've e'er taken an art history course or spent fourth dimension in a fine arts museum, chances are you know a lot about the men who "divers" their mediums. Every bit with other subjects, most of what we learn about art history today yet centers on white men from Europe and, after, the United States. In reality, at that place are so many more artists of all genders to acquire from and appreciate.

Hither, nosotros're specifically taking a expect at just some of the women who take had lasting impacts on their art forms. From some of the art globe's most iconic pioneers to its most unsung heroes, these women artists all had a hand — and, in some cases, still accept a hand — in changing the earth of fine art and how we ascertain it.

Laura Wheeler Waring

Laura Wheeler Waring'southward portraits Anna Washington Derry and Alice Dunbar Nelson. Photos Courtesy: National Portrait Gallery/Wikimedia Commons

Laura Wheeler Waring was an creative person and educator who taught at Cheyney Academy in Pennsylvania for more than thirty years. After studying the work of painters like Cézanne and Monet while away, she returned to the United States, becoming best known for her portraits of prominent Black Americans, many of which were painted during the Harlem Renaissance.

Cindy Sherman

2 photographs from Cindy Sherman'southward Untitled Picture show Stills (1977–80). series. Photos Courtesy: Museum of Modern Art (MoMA)

Lensman Cindy Sherman was part of the Pictures Generation during the 1980s, and is perhaps most well known for her serial of Untitled Film Stills (1977–eighty) — self-portraits in which Sherman "posed in the guises of various generic female person film characters, among them, ingénue, working girl, vamp, and lonely housewife" (via MoMA). In this series, and those that followed, Sherman used photography to question the media's influence over our individual and collective identities.

Yoko Ono

A still from the operation Cutting Piece, 1964, and a picture of the installation Half-A-Room, 1967, as seen at the Museum of Modern Art in New York City in 2015. Photos Courtesy: Museum of Modernistic Art (MoMA)

You might get-go think of Yoko Ono as a musician and activist, but she's as well an accomplished functioning and conceptual artist. Ono was considered a pioneer in the operation art movement, earning the nickname the "High Priestess of the Happening".

1 of her almost revered works, Cut Piece, was a performance she beginning staged in Japan; Ono sat on stage in a nice arrange and placed scissors in front of her, and, in an human action of daring vulnerability, invited audience members to come on stage and cutting away pieces of her wear. "Art is like breathing for me," Ono has said. "If I don't do it, I start to choke."

Betye Saar

Betye Saar'south Black Daughter'south Window, 1969 (full and particular). Photos Courtesy: Museum of Modern Art (MoMA)

Before becoming a printmaker and activist, Betye Saar studied design and was employed as a social worker. A printmaking elective inverse her entire career trajectory — and, in turn, role of the trajectory of art history.

Saar was part of the Black Arts Movement in the 1970s and, through painting and assemblage, critiqued institutionalized racism and the racist stereotypes white people held toward Blackness Americans. "To me the trick is to seduce the viewer," Saar has said. "If you can get the viewer to wait at a piece of work of art, then you might be able to give them some sort of message."

Frida Kahlo

People look at Frida Kahlo's 1939 painting Las Dos Fridas at the World Forum of Civilisation in 2007, which was held in Mexico. Photograph Courtesy: Alejandro Acosta/AFP/Getty Images

It's rare to find someone who hasn't at to the lowest degree heard of Frida Kahlo. A self-taught painter from Mexico, she is best known for exploring themes similar death and identity through her self-portraits. Kahlo often used bold, brilliant colors to create her symbol-rich works, and was regarded as one of the most influential artists of the Surrealist movement.

Yayoi Kusama

A viewer photographs inside the Aftermath of Obliteration of Eternity room during a preview of the Yayoi Kusama's Infinity Mirrors exhibit at the Hirshhorn Museum February 21, 2017 in Washington, D.C. Photograph Courtesy: Brendan Smialowski/AFP/Getty Images

Yayoi Kusama started painting at a very immature historic period, but she'due south also known for her hyper-real sculptures, polka dots, installations, so much more. Like many of her peers, Kusama embraced the counterculture of the 1960s, employing nudity in much of her piece of work. Today, she continues to create works for her enduring Mirror/Infinity rooms series, which use mirrors and lit objects to create a sense of endlessness.

Amy Sherald

Old Commencement Lady Michelle Obama (L) and artist Amy Sherald (R) unveil Mrs. Obama's portrait at the Smithsonian's National Portrait Gallery in Washington, D.C. on February 12, 2018. Photo by Saul Loeb/AFP/Getty Images

Amy Sherald is an American painter and portraitist who depicts Blackness Americans, often doing everyday activities — something that became more common in portraiture writ large in the mid-19th century. Odds are that yous recognize Sherald's work — and her signature grayscale skin tones — as she was the start Black woman to consummate a presidential portrait for the Smithsonian'due south National Portrait Gallery.

Georgia O'Keeffe

In 1960, Georgia O'Keeffe poses outdoors beside a work from her series, Pelvis Serial Reddish With Yellow in Albuquerque, New Mexico. Photo Courtesy: Tony Vaccaro/Getty Images

Known as the mother of American modernism, you likely associate Georgia O'Keeffe with her paintings of New Mexico'south landscapes, flowers, skulls, and, simply perhaps, the skyscrapers of New York Urban center. In the 1920s, she was the first woman painter to gain the respect of the New York art world, all by painting in her unique style.

Adrian Piper

Adrian Piper wins the Golden Lion for best artist in Okwui Enwezor'south biennial exhibition All the World's Futures, office of the 56th Venice Biennale in 2015. Photo Courtesy: Awakening/Getty Images

Adrian Piper became a pioneering minimalist, feminist, and conceptual artist in 1970s New York City. She used her piece of work to question society, identity, and racial politics past enervating the audience to face up truths about themselves. She frequently challenged people on the streets of New York to judge her race, socio-economical class, and gender — all while dressed as a Blackness man with a faux mustache and sunglasses, or while wearing compelling statements on her clothes.

Shirin Neshat

Shirin Neshat's poses in front of a photograph in her exhibition Our House Is on Fire at the Robert Rauschenberg Foundation in New York City in 2014. Photo Courtesy: Cem Ozdel/Anadolu Bureau/Getty Images

Shirin Neshat left Iran in 1974 to study art in Los Angeles, California — before the Islamic republic of iran Islamic Revolution took place. She is best known for her photography, flick, and video work, much of which explores the human relationship between Islam'south cultural and religious systems and women. Moreover, Neshat's works ofttimes create a sense of solidarity and empowerment.

Jenny Holzer

Jenny Holzer standing in front end of her installation at the Guggenheim Museum. Photo Courtesy: Marianne Barcellona/Getty Images

Equally a neo-conceptual artist, Jenny Holzer's work focuses on words and ideas, which she puts on advertising billboards, projects onto buildings and adds to electronic displays or neon signs.

These works display phrases that human activity equally meditations on diverse concepts, such as trauma, knowledge, and hope. One of her more notable works, I Smell Y'all On My Skin, makes the viewer question what kind of sentiment the sentence conveys.

Rebecca Belmore

Rebecca Belmore's Fringe, 2008. Photograph Courtesy: Art Gallery of Ontario (Ago)

Much of Rebecca Belmore'southward art addresses identity and history — and, in particular, houselessness and the voicelessness of the First Nations People in Canada. Every bit an Anishinaabekwe artist, she works to raise awareness around the prejudice, violence, and attempted erasure of Indigenous North American civilisation. In 2005, she was the first Indigenous woman to correspond Canada at the Venice Biennale.

Louise Bourgeois

A person looks at Louise Bourgeois' Spider. Photo Courtesy: Timothy A. Clary/AFP/Getty Images

While a prolific printmaker and painter, Louise Bourgeois is meliorate known for her installation art and sculptures — like the spider above — which were inspired by her own experiences and memories. Throughout her career, she created revolutionary works during a time when abstraction and conceptual art were the main styles shaping the art globe.

Mickalene Thomas

Mickalene Thomas' A Piffling Gustation Outside of Love, 2007. Photo Courtesy: Brooklyn Museum

Heavily influenced by pop civilisation and popular art, Mickalene Thomas oftentimes embellishes her paintings with rhinestones and uses colorful acrylic paints. In her work, Thomas centers Black American women, whom she believes embody ability and femininity.

Judy Chicago

Judy Chicago'southward seminal work The Dinner Party. Photo Courtesy: Brooklyn Museum

Judy Chicago was one of the major figures within the early on Feminist Art movement. As exemplified in her iconic work The Dinner Party, her installation pieces often examine the function of women in history and culture — in the 1970s and earlier. While at California Country Academy in Fresno, Chicago founded the beginning feminist art program in the U.s..

Augusta Savage

Augusta Savage with one of her sculptures in the mid-1930s. Photo Courtesy: Andrew Herman/Archives of American Art/Wikimedia Commons

Augusta Vicious was an American sculptor during the Harlem Renaissance who worked toward securing equal rights for Black Americans in the arts. In improver to creating scenic sculptures, oft of Black folks, Cruel founded the Savage Studio of Craft in Harlem in 1932, and, a few years after, she became the offset Black American elected to the National Association of Women Painters and Sculptors in 1934.

Carolee Schneemann

Photo Courtesy: Museum of Modern Fine art (MoMA)

Known for her provocative performance art practices, Carolee Schneemann is considered the progenitor of "torso fine art". (Merely look up her near famous piece of work, Interior Scroll, and you'll see what we mean.) She used her body to examine women'southward sensuality and liberation from the oppressive artful and social conventions established past our patriarchal gild.

Nan Goldin

Nan Goldin's Christmas on the Other Side, Boston, 1972. Photo Courtesy: Wikimedia Commons

Famous for her in-the-moment photography, Nan Goldin's work challenges traditional power relations. In improver to documenting New York City's queer subculture post-Stonewall, Goldin explored the HIV/AIDS crisis, opioid epidemic, and LGBTQ+ bodies.

Elaine Sturtevant

Warhol's Marilyn Monroe (1967) by Elaine Sturtevant. Photo Courtesy: Ben Stanstall/AFP/Getty Images

Does this look like an Andy Warhol to you? Well, that's the thought! Elaine Sturtevant, who went past her concluding name professionally, was a conceptual artist known for her inexact replicas — that is, not-quite-right copies of big-proper name artists' work.

Some artists and critics encouraged her efforts, while others became quite angry. Still, Sturtevant used her works to explore the concepts of authorship, originality, and the structure of fine art culture.

Ruth Asawa

Various hanging sculptures by Ruth Asawa at the De Young Museum in San Francisco. Photo Courtesy: View Pictures/Universal Images Group/Getty Images

During the 1960s, Ruth Asawa created increasingly complex wire sculptures. A San Francisco-based artist, Asawa's last public commission was the Garden of Remembrance at San Francisco Land University, which was created to recognize Japanese Americans who were interned during World War II.

Catherine Opie

Catherine Opie attends the 2007 Guggenheim International Gala on November 8, 2007 in New York Urban center. Photo Courtesy: Shawn Ehlers/WireImage/Getty Images

Known for her studio, portrait, and landscape photography, Catherine Opie has been a photographer since the age of nine. She uses her photography to examine social norms, and, in doing so, displays various subcultures in formal portraits — but in a fashion that conveys power and respect by evoking traditional Renaissance portraiture.

micha cárdenas

Withal from Sin Sol (No Sun) VR game. Photo Courtesy: micha cárdenas/YouTube

micha cárdenas is an creative person, writer, theorist, and assistant professor who won an Impact Award at the Indiecade Festival in 2020 and the Creative Honor from the Gender Justice League in 2016. She believes education is the path to liberation and uses VR and art to accost global issues such as racism, gendered violence, and climate change.

Lee Krasner

Lee Krasner: Living Color exhibition at Barbican Art Gallery on May 29, 2019 in London, England. Photograph Courtesy: Tristan Fewings/Getty Images for Barbican Art Gallery

Lee Krasner was an Abstract Expressionist painter who also specialized in collaging. Her works capture a spirit of relentless reinvention, from her Cubist drawings and assemblage to her portraits and murals for the Works Progress Assistants (WPA).

davisrore1977.blogspot.com

Source: https://www.ask.com/culture/women-who-changed-world-of-fine-art?utm_content=params%3Ao%3D740004%26ad%3DdirN%26qo%3DserpIndex

0 Response to "Sexuality Social and Cultural Constructs of Women Represented Through Art"

Post a Comment

Iklan Atas Artikel

Iklan Tengah Artikel 1

Iklan Tengah Artikel 2

Iklan Bawah Artikel